Analysis of the title
opening of TV drama A Mother’s Son
A Mother’s Son is a thriller television drama which aired on
ITV in September 3rd. During the course of this analysis I will be examining
how sound and camera angles are used in the title opening of the drama to
create a sense of tension.
The opening starts with an extreme long shot of wave
crashing onto a beach shore. Within the shot cold camera filter has been used
to exaggerate how dark our setting but may also connote a fore coming dark
event. This idea of a foreshadowing event is further reinforced by the
semiology of waves crashing; we the audience tend to associate this imagery
with death as it is believed that seagulls go to sea to die. Furthermore we
hear the exaggerated noise of waves crashing to further indicate that something
is wrong. This devices help create tension as we are given our location but
already with the se of filters and sound we the audience can tell this isn’t a normal
night at the beach and we are hooked in by one shot.
This then cuts to a close up shot of silhouettes of birds with
this we can hear a non-diegetic sound of distorted bird screeching, this is
then followed by an out of focus close up of reeds and then a tracking shot of
someone feet running from something. Backing with this we hear a slow fade in
of orchestral music as it cuts to the shot of the persons feet. The use of the birds creates tension as our
thoughts raised by the first shot are further reinforced we establish that not
everything is all right with the connotations of the black birds convey death.
This is further developed upon with the use of the
exaggerated sounds and the music as the music creates a sombre feeling whilst
also slowly getting louder; we can establish that something is bad building up.
The shot of the feet brings up the question who is this person and also why are
they running. This helps creates a sense of tension as we are left guessing
into what the situation is.
During the opening we start to hear sounds of people wailing
which plays on the idea of danger which has been established with the last few
elements. This causes the audience to become fearful for the well-being of this
person running; its cause’s tension as we want to know what is going to happen
to this person. Eventually the music gets louder and we become ever more
fearful for this persons safety as the rise in volume further indicates a bad
event creeping up on her.
Soon we see a POV shot of this person falling, we put
ourselves in their position and we start to feel more concerned about their safety
but also we start to think what they are trying to run from.
When then see an extreme long shot of this character running
through a large field completely covered by vegetation around. This shot emphasises
how vulnerable and isolated they are and yet again this creates tension as we
grow more concerned for him/ her, however by this shot it becomes increasingly
obvious that see won’t make it and the question that we soon start to ask
ourselves is this person who is chasing her going to be revealed as well as his
motives.
Next we see quick cuts from shot to shot to emphasise the
fear this person is going through but also has been employed to reveal the
identity of this person running in a frantic way. Furthermore it is revealed
used these quick cuts why this person is running as it quickly cuts to a close
up shot of this person who has been recently revealed as a girl holding a wound
in her stomach. The blood dripping from her wound has been highlighted in
bright red in contrast with the cold camera filter used to convey a harsh
setting. These devices create tension as the quick cuts allow the audience to
experience the fear that is she is going through. Secondly the use of the of
the highlighted blood stain exaggerates the pain this person is going through
and we the audience can establish that
she is going to die, however what constantly keeps us engaged is the prospect of
finding out the identity of this mystery person who may have or may not have
inflicted this injury upon her.
We then see an extreme long shot of this girls eye, we hope
to see the identity of this mystery persons face reflected off of her pupil
however his face is concealed thus causing tension as we anticipate this girl
to speak perhaps revealing the identity of this mystery person. However in the
next shot we see a close up of this girls face and in the background we hear
her utter the words I’m sorry. Such an ambiguous phrase of speech creates
tension as we are left hooked in wanting to find out more about the
relationship between this girl and this mystery person.
Fantastic detail from the start, Chris. You explore the extract very carefully, referring to the most significant aspects of colour, camera work and (most importantly) your own interpretations of these things. I especially like your reference to the gulls, and the fact that you are beginning to consider the editing and its effect on the overall tension of the sequence. Very well done!
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